Shakespeare's Hamlet Act 5 Scene 1 - Alas, poor Yorick.
The skull, then, is a supreme work of art, challenging with its perma- nence our own transient existence. Fools and wise, we read in it, as in a mirror, the truth about ourselves. And as a work of art, it overcomes our mortal weakness of being locked in the limited perspective of time.
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Ladies, Gentlemen, and Skulls: Hamlet and the Iconographic Traditions ROLAND MUSHAT FRYE T HE SCENE OF HAMLET CONTEMPLATING the skull of Yorick in the graveyard of Elsinore is one of the most famous in the Shakespearean canon. For actors and playgoers alike, it is a lasting favorite, and it has been engraved on.
The work is morbid, but the workers joke and sing as they go about their business. They seem totally unaware of the majestic tragedy unfolding itself in the castle nearby. On a smaller level, Yorick's skull embodies the tragicomic dichotomy; it is a gruesome, deathly object that once belonged to a joker.
Looking at the skull, Hamlet is preoccupied with the discrepancy between Yorick's face as he remembers it and the Yorick face he holds in his hand. That Yorick was a jester (something like a clown.
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The skull, then, is a supreme work of art, challenging with its permanence our own transient existence. Fools and wise, we read in it, as in a mirror, the truth about ourselves. And as a work of art, it overcomes our mortal weakness of being locked in the limited perspective of time.